Jump to content

Portal:India

From Wikipedia, the free encyclopedia
Parent portals : Geography / Asia / India
Portal topics
Activities
Culture
Geography
Health
History
Mathematics
Nature
People
Philosophy
Religion
Society
Technology
Random portal
Welcome to the
PORTAL

Introduction

Flag of India
Flag of India
Location on the world map
Location on the world map

India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

  More about India ...

Featured article – show another

This is a Featured article, which represents some of the best content on English Wikipedia..
More featured articles

Selected pictures

This is a Featured list, which the Wikipedia community considers to be the best lists on English Wikipedia.
More featured lists

Good article – show another

This is a Good article, an article that meets a core set of high editorial standards.
  • Image 1 The Oxford Union debating chamber During a debate at the Oxford Union on 28 May 2015, the Indian Member of Parliament, diplomat and writer Shashi Tharoor delivered a speech supporting the motion "Britain owes reparations to her former colonies". Tharoor was the seventh speaker in the debate, the final speaker from the proposition, and spoke for about fifteen minutes. While criticising the opposition, he argued that British colonial rule damaged the Indian economy. Tharoor began his speech by arguing that the economic progress of Britain from the 18th-century onwards was financed by the economic exploitation and de-industrialisation of British India. He cited other negative effects of colonial rule on India, such as famines and the mandatory contribution of Indians toward the British war effort during the First and Second World Wars. Tharoor argued that supposed benefits of British colonialism, such as railways and democracy, were either constructed for the purposes of furthering economic exploitation or devised by Indians themselves. He ended his speech by suggesting that Britain pay one pound sterling per annum for the next two centuries as symbolic reparation. The side in favour of the motion won, with 185 votes to 56. (Full article...)
    The Oxford Union debating chamber


    During a debate at the Oxford Union on 28 May 2015, the Indian Member of Parliament, diplomat and writer Shashi Tharoor delivered a speech supporting the motion "Britain owes reparations to her former colonies". Tharoor was the seventh speaker in the debate, the final speaker from the proposition, and spoke for about fifteen minutes. While criticising the opposition, he argued that British colonial rule damaged the Indian economy.

    Tharoor began his speech by arguing that the economic progress of Britain from the 18th-century onwards was financed by the economic exploitation and de-industrialisation of British India. He cited other negative effects of colonial rule on India, such as famines and the mandatory contribution of Indians toward the British war effort during the First and Second World Wars. Tharoor argued that supposed benefits of British colonialism, such as railways and democracy, were either constructed for the purposes of furthering economic exploitation or devised by Indians themselves. He ended his speech by suggesting that Britain pay one pound sterling per annum for the next two centuries as symbolic reparation. The side in favour of the motion won, with 185 votes to 56. (Full article...)
  • Image 2 Dabangg (transl. Fearless) is a 2010 Indian Hindi-language action comedy film directed by Abhinav Singh Kashyap and produced by Malaika Arora and Arbaaz Khan under Arbaaz Khan Productions with Dhilin Mehta under Shree Ashtavinayak Cine Vision. The film stars Salman Khan, Sonakshi Sinha (in her acting debut) Arbaaz Khan and Sonu Sood in the lead roles, while Om Puri, Dimple Kapadia, Vinod Khanna, Anupam Kher, Mahesh Manjrekar and Mahie Gill featuring in supporting roles. The film marks the debut of Arbaaz Khan as a producer and Kashyap as a director. Arora makes a special appearance in the song "Munni Badnaam Hui". Dabangg is set in the Indian state of Uttar Pradesh. It was made with a budget of ₹30 crore and marketed at ₹12 crore. The film was shot primarily in the town of Wai in Maharashtra, while other major scenes were shot in the United Arab Emirates. (Full article...)
    Dabangg (transl. Fearless) is a 2010 Indian Hindi-language action comedy film directed by Abhinav Singh Kashyap and produced by Malaika Arora and Arbaaz Khan under Arbaaz Khan Productions with Dhilin Mehta under Shree Ashtavinayak Cine Vision. The film stars Salman Khan, Sonakshi Sinha (in her acting debut) Arbaaz Khan and Sonu Sood in the lead roles, while Om Puri, Dimple Kapadia, Vinod Khanna, Anupam Kher, Mahesh Manjrekar and Mahie Gill featuring in supporting roles. The film marks the debut of Arbaaz Khan as a producer and Kashyap as a director. Arora makes a special appearance in the song "Munni Badnaam Hui".

    Dabangg is set in the Indian state of Uttar Pradesh. It was made with a budget of ₹30 crore and marketed at ₹12 crore. The film was shot primarily in the town of Wai in Maharashtra, while other major scenes were shot in the United Arab Emirates. (Full article...)
  • Image 3 Krishna Killing the Horse Demon Keshi, Gupta period (ca. 321–500), Metropolitan Museum of Art. In Hindu mythology, Keshin (Sanskrit: केशिन्, lit. 'the hairy one/long-haired' IAST: Keśin), also called Keshi (Sanskrit: केशी IAST: Keśī) is a horse-demon, killed by Krishna, an Avatara of Vishnu. The demon was dispatched by Krishna's evil uncle Kamsa, who was destined to die at Krishna's hands. The tale of the slaying of Keshi is told in the Hindu scriptures of Bhagavata Purana, Vishnu Purana and Harivamsa. Krishna is often praised as Keshava - the slayer of Keshi - in scriptures. (Full article...)
    Carving in stone hanging from wall depicting a man fighting a horse.
    Krishna Killing the Horse Demon Keshi, Gupta period (ca. 321–500), Metropolitan Museum of Art.


    In Hindu mythology, Keshin (Sanskrit: केशिन्, lit. 'the hairy one/long-haired' IAST: Keśin), also called Keshi (Sanskrit: केशी IAST: Keśī) is a horse-demon, killed by Krishna, an Avatara of Vishnu. The demon was dispatched by Krishna's evil uncle Kamsa, who was destined to die at Krishna's hands.

    The tale of the slaying of Keshi is told in the Hindu scriptures of Bhagavata Purana, Vishnu Purana and Harivamsa. Krishna is often praised as Keshava - the slayer of Keshi - in scriptures. (Full article...)
  • Image 4 Air Costa was an Indian regional airline headquartered in Vijayawada and based out of Chennai International Airport. It was owned by Indian business company LEPL Group. The airline commenced operations as a regional airline in October 2013 using two Embraer E-170 aircraft, with the first flight taking off from Chennai on 16 October 2013. The airline received a permit for pan-India operations in October 2016. The airline focused on connectivity between tier II and tier III cities in the country, and invested ₹600 crore (US$72 million) as of 2015. Air Costa operated 32 daily flights to nine destinations from its focus cities Chennai and Vijayawada as of 2015. The airline had a maintenance center in Chennai. On 28 February 2017, it suspended operations until further notice. (Full article...)

    Air Costa was an Indian regional airline headquartered in Vijayawada and based out of Chennai International Airport. It was owned by Indian business company LEPL Group. The airline commenced operations as a regional airline in October 2013 using two Embraer E-170 aircraft, with the first flight taking off from Chennai on 16 October 2013. The airline received a permit for pan-India operations in October 2016. The airline focused on connectivity between tier II and tier III cities in the country, and invested ₹600 crore (US$72 million) as of 2015. Air Costa operated 32 daily flights to nine destinations from its focus cities Chennai and Vijayawada as of 2015. The airline had a maintenance center in Chennai. On 28 February 2017, it suspended operations until further notice. (Full article...)
  • Image 5 The Seven Mother Goddesses (Matrikas) flanked by Shiva (left) and Ganesha (right) Matrikas (Sanskrit: मातृका (singular), IAST: mātṝkā, lit. "mothers") also called Matar or Matri, are a group of mother goddesses who are always depicted together in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers). However, they are also depicted as a group of eight, the Ashtamatrika(s). In the Brihat Samhita, Varahamihira says that "Mothers are to be made with cognizance of (different major Hindu) gods corresponding to their names." They are associated with these gods as their spouses or their energies (Shaktis). Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Kartikeya, Varahi from Varaha and Chamunda from Chandi. and additionals are Narasimhi from Narasimha and Vinayaki from Ganesha. Originally believed to be a personification of the seven stars of the star cluster the Pleiades, they became quite popular by the seventh century and a standard feature of goddess temples from the ninth century onwards. In South India, Saptamatrika worship is prevalent whereas the Ashtamatrika are venerated in Nepal, among other places. (Full article...)

    The Seven Mother Goddesses (Matrikas) flanked by Shiva (left) and Ganesha (right)

    Matrikas (Sanskrit: मातृका (singular), IAST: mātṝkā, lit. "mothers") also called Matar or Matri, are a group of mother goddesses who are always depicted together in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers). However, they are also depicted as a group of eight, the Ashtamatrika(s). In the Brihat Samhita, Varahamihira says that "Mothers are to be made with cognizance of (different major Hindu) gods corresponding to their names." They are associated with these gods as their spouses or their energies (Shaktis). Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Kartikeya, Varahi from Varaha and Chamunda from Chandi. and additionals are Narasimhi from Narasimha and Vinayaki from Ganesha.

    Originally believed to be a personification of the seven stars of the star cluster the Pleiades, they became quite popular by the seventh century and a standard feature of goddess temples from the ninth century onwards. In South India, Saptamatrika worship is prevalent whereas the Ashtamatrika are venerated in Nepal, among other places. (Full article...)
  • Image 6 Pandurangi Kodanda Rao (25 December 1889 – 23 July 1975) was an Indian social and independence activist who served as a member and secretary of the Indian socio-political organization Servants of India Society between 1922 and 1958. He was the private secretary to V. S. Srinivasa Sastri with whom he traveled as an advisor and delegate to multiple Round Table Conferences and other international conferences. Rao was also an associate of Indian freedom leader Mahatma Gandhi and assisted him in his campaigns against untouchability. Rao wrote extensively on topics including overseas Indians, emigration, immigration, and Indian politics under British rule. (Full article...)
    Pandurangi Kodanda Rao (25 December 1889 – 23 July 1975) was an Indian social and independence activist who served as a member and secretary of the Indian socio-political organization Servants of India Society between 1922 and 1958. He was the private secretary to V. S. Srinivasa Sastri with whom he traveled as an advisor and delegate to multiple Round Table Conferences and other international conferences. Rao was also an associate of Indian freedom leader Mahatma Gandhi and assisted him in his campaigns against untouchability. Rao wrote extensively on topics including overseas Indians, emigration, immigration, and Indian politics under British rule. (Full article...)
  • Image 7 "The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire. Harrison recorded the instrumental track for "The Inner Light" in Bombay in January 1968, during the sessions for his Wonderwall Music soundtrack album. It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound. The musicians on the track include Aashish Khan, Hanuman Jadev and Hariprasad Chaurasia. Aside from Harrison's lead vocal, recorded in London, the Beatles' only contribution came in the form of group backing vocals over the song's final line. In the decade following its release, the song became a comparative rarity among the band's recordings; it has subsequently appeared on compilation albums such as Rarities; Past Masters, Volume Two; and Mono Masters. It is the only Beatles song to never appear on any official Beatles album. (Full article...)
    "The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire.

    Harrison recorded the instrumental track for "The Inner Light" in Bombay in January 1968, during the sessions for his Wonderwall Music soundtrack album. It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound. The musicians on the track include Aashish Khan, Hanuman Jadev and Hariprasad Chaurasia. Aside from Harrison's lead vocal, recorded in London, the Beatles' only contribution came in the form of group backing vocals over the song's final line. In the decade following its release, the song became a comparative rarity among the band's recordings; it has subsequently appeared on compilation albums such as Rarities; Past Masters, Volume Two; and Mono Masters. It is the only Beatles song to never appear on any official Beatles album. (Full article...)
  • Image 8 Leila is a 2017 Indian dystopian novel written by Prayaag Akbar. Set in the 2040s, the story follows Shalini, who tries to find her missing daughter Leila in a totalitarian regime. It was published by Simon & Schuster in several formats worldwide on 20 April 2017 and received a positive critical reception. It is also available as an audiobook narrated by Tania Rodriguez. The novel was awarded the 2018 juried Crossword Book Award for fiction and the Tata Literature Live First Book Award the same year. It was also shortlisted for The Hindu Literary Prize. Leila was adapted as a Netflix series by Deepa Mehta, Shanker Raman and Pawan Kumar with Huma Qureshi, Siddharth, Rahul Khanna, Sanjay Suri and Arif Zakaria. The series premiered on 14 June 2019 to mostly positive reviews from critics. (Full article...)
    Leila is a 2017 Indian dystopian novel written by Prayaag Akbar. Set in the 2040s, the story follows Shalini, who tries to find her missing daughter Leila in a totalitarian regime. It was published by Simon & Schuster in several formats worldwide on 20 April 2017 and received a positive critical reception. It is also available as an audiobook narrated by Tania Rodriguez.

    The novel was awarded the 2018 juried Crossword Book Award for fiction and the Tata Literature Live First Book Award the same year. It was also shortlisted for The Hindu Literary Prize. Leila was adapted as a Netflix series by Deepa Mehta, Shanker Raman and Pawan Kumar with Huma Qureshi, Siddharth, Rahul Khanna, Sanjay Suri and Arif Zakaria. The series premiered on 14 June 2019 to mostly positive reviews from critics. (Full article...)
  • Image 9 Pokiri (transl. Rogue) is a 2006 Indian Telugu-language action thriller film written and directed by Puri Jagannadh. The film was produced by Jagannadh and Manjula Ghattamaneni by their respective production companies Vaishno Academy and Indira Productions. The film stars Mahesh Babu, Ileana, Prakash Raj, Nassar, Ashish Vidyarthi and Sayaji Shinde. In the film, a local goon whose killer instincts earns him not only his girlfriend's disapproval and a corrupt cop's enmity, but also the attention of a wanted crime boss. The film was made on a budget of around ₹12 crore. principal photography commenced in November 2005 and lasted until April 2006. Most of the film was shot in and around Hyderabad and Chennai, except for a song which was shot at the province of Phuket in Thailand and the city of Bangkok. Shyam K. Naidu was the film's cinematographer, and it was edited by Marthand K. Venkatesh. The soundtrack and film score were composed by Mani Sharma. (Full article...)
    Pokiri (transl. Rogue) is a 2006 Indian Telugu-language action thriller film written and directed by Puri Jagannadh. The film was produced by Jagannadh and Manjula Ghattamaneni by their respective production companies Vaishno Academy and Indira Productions. The film stars Mahesh Babu, Ileana, Prakash Raj, Nassar, Ashish Vidyarthi and Sayaji Shinde. In the film, a local goon whose killer instincts earns him not only his girlfriend's disapproval and a corrupt cop's enmity, but also the attention of a wanted crime boss.

    The film was made on a budget of around ₹12 crore. principal photography commenced in November 2005 and lasted until April 2006. Most of the film was shot in and around Hyderabad and Chennai, except for a song which was shot at the province of Phuket in Thailand and the city of Bangkok. Shyam K. Naidu was the film's cinematographer, and it was edited by Marthand K. Venkatesh. The soundtrack and film score were composed by Mani Sharma. (Full article...)
  • Image 10 Manilal Nabhubhai Dwivedi (pronounced [məɲilal nəbʰubʰai dvivedi] ⓘ; 26 September 1858 – 1 October 1898) was a Gujarati-language writer, philosopher, and social thinker from British India, commonly referred to as Manilal in literary circles. He was an influential figure in 19th-century Gujarati literature, and was one of several Gujarati writers and educators involved in the debate over social reforms, focusing on issues such as the status of women, child marriage, and the question of whether widows could remarry. He held Eastern civilisation in high esteem, and resisted the influence of Western civilisation, a position which drew him into conflicts with other social reformers of a less conservative outlook. He considered himself a "reformer along religious lines". Manilal's writings belong to the Pandit Yuga, or "Scholar Era" – a time in which Gujarati writers explored their traditional literature, culture and religion in order to redefine contemporary Indian identity when it was subject to challenge from the influential Western model introduced under colonial rule. His works include Atmanimajjan, a collection of poems on the theme of love in the context of Advaita (non-duality) philosophy; Kanta, a play combining Sanskrit and English dramatic techniques; Nrusinhavatar, a play based on Sanskrit dramatic traditions; Pranavinimaya, a study of yoga and mysticism; and Siddhantasara, a historical critique of the world's religious philosophies. His faith in Shankara's Advaita philosophy provided the fundamental underpinning for his philosophical thought. He was invited to present a paper at the first Parliament of World Religions, held in Chicago in 1893, but financial considerations made his participation there impossible. (Full article...)

    Manilal Nabhubhai Dwivedi (pronounced [məɲilal nəbʰubʰai dvivedi] ⓘ; 26 September 1858 – 1 October 1898) was a Gujarati-language writer, philosopher, and social thinker from British India, commonly referred to as Manilal in literary circles. He was an influential figure in 19th-century Gujarati literature, and was one of several Gujarati writers and educators involved in the debate over social reforms, focusing on issues such as the status of women, child marriage, and the question of whether widows could remarry. He held Eastern civilisation in high esteem, and resisted the influence of Western civilisation, a position which drew him into conflicts with other social reformers of a less conservative outlook. He considered himself a "reformer along religious lines".

    Manilal's writings belong to the Pandit Yuga, or "Scholar Era" – a time in which Gujarati writers explored their traditional literature, culture and religion in order to redefine contemporary Indian identity when it was subject to challenge from the influential Western model introduced under colonial rule. His works include Atmanimajjan, a collection of poems on the theme of love in the context of Advaita (non-duality) philosophy; Kanta, a play combining Sanskrit and English dramatic techniques; Nrusinhavatar, a play based on Sanskrit dramatic traditions; Pranavinimaya, a study of yoga and mysticism; and Siddhantasara, a historical critique of the world's religious philosophies. His faith in Shankara's Advaita philosophy provided the fundamental underpinning for his philosophical thought. He was invited to present a paper at the first Parliament of World Religions, held in Chicago in 1893, but financial considerations made his participation there impossible. (Full article...)
  • Image 11 Vidyasagar Setu from Prinsep Ghat Vidyasagar Setu, also known as the Second Hooghly Bridge, is an 822.96-metre-long (2,700 ft) cable-stayed six-laned toll bridge over the Hooghly River in West Bengal, India, linking the cities of Kolkata and Howrah. Opened in 1992, Vidyasagar Setu was the first and longest cable-stayed bridge in India at the time of its inauguration. It was the second bridge to be built across the Hooghly River in Kolkata metropolitan region and was named after the education reformer Pandit Ishwar Chandra Vidyasagar. The project had a cost of ₹388 crore to build. The project was a joint effort between the public and private sectors, under the control of the Hooghly River Bridge Commissioners (HRBC). The importance of the bridge has increased manifold since 2013, as the West Bengal State Secretariat had shifted its office to Nabanna, located adjacent to the bridge on the Howrah side. (Full article...)

    Vidyasagar Setu from Prinsep Ghat

    Vidyasagar Setu, also known as the Second Hooghly Bridge, is an 822.96-metre-long (2,700 ft) cable-stayed six-laned toll bridge over the Hooghly River in West Bengal, India, linking the cities of Kolkata and Howrah. Opened in 1992, Vidyasagar Setu was the first and longest cable-stayed bridge in India at the time of its inauguration. It was the second bridge to be built across the Hooghly River in Kolkata metropolitan region and was named after the education reformer Pandit Ishwar Chandra Vidyasagar. The project had a cost of ₹388 crore to build. The project was a joint effort between the public and private sectors, under the control of the Hooghly River Bridge Commissioners (HRBC).

    The importance of the bridge has increased manifold since 2013, as the West Bengal State Secretariat had shifted its office to Nabanna, located adjacent to the bridge on the Howrah side. (Full article...)
  • Image 12 Jalaluddin enthroned as Sultan of Delhi The Khalji Revolution, alternatively spelled the Khilji Revolution, marked a military coup and a period of political and societal transformation in the Delhi Sultanate. It unfolded following the death of Mamluk sultan Balban and the subsequent incapacity of his successors to effectively govern the Delhi Sultanate. The upheaval commenced and concluded in 1290 when Jalaluddin Khalji seized absolute power, toppling the Mamluks and inaugurating the rule of the Khalji dynasty. After Balban's death, his underage grandson Qaiqabad ascended the throne. A poor governor, Qaiqabad later fell ill and became paralyzed, leading to the succession of his son, Shamsuddin Kayumars. Amidst this upheaval, two factions arose within the Mamluk court, with the Turkic faction led by Aitmar Surkah facing off against the Khalji faction, led by Jalaluddin Khalji. (Full article...)

    Jalaluddin enthroned as Sultan of Delhi

    The Khalji Revolution, alternatively spelled the Khilji Revolution, marked a military coup and a period of political and societal transformation in the Delhi Sultanate. It unfolded following the death of Mamluk sultan Balban and the subsequent incapacity of his successors to effectively govern the Delhi Sultanate. The upheaval commenced and concluded in 1290 when Jalaluddin Khalji seized absolute power, toppling the Mamluks and inaugurating the rule of the Khalji dynasty.

    After Balban's death, his underage grandson Qaiqabad ascended the throne. A poor governor, Qaiqabad later fell ill and became paralyzed, leading to the succession of his son, Shamsuddin Kayumars. Amidst this upheaval, two factions arose within the Mamluk court, with the Turkic faction led by Aitmar Surkah facing off against the Khalji faction, led by Jalaluddin Khalji. (Full article...)
  • Image 13 Anamudi, the highest peak in the Western Ghats The Western Ghats, also known as the Sahyadri, is a mountain range that stretches 1,600 km (990 mi) along the western coast of the Indian peninsula. Covering an area of 160,000 km2 (62,000 sq mi), it traverses the states of Gujarat, Maharashtra, Goa, Karnataka, Kerala, and Tamil Nadu. The range forms an almost continuous chain of mountains along the western edge of the Deccan Plateau, from the Tapti River to Swamithoppe in Kanyakumari district at the southern tip of the Indian peninsula. The Western Ghats meet with the Eastern Ghats at Nilgiris before continuing south. Geologic evidence indicates that the mountains were formed during the break-up of the supercontinent of Gondwana. The mountains came along the west coast of India somewhere in the late Jurassic and early Cretaceous periods when India separated from the African continent. The mountains can be roughly divided into three parts: the northern section with an elevation ranging from 900–1,500 m (3,000–4,900 ft), the middle section starting from the south of Goa with a lower elevation of less than 900 m (3,000 ft), and the southern section where the altitude rises again. The Western Ghats have several peaks that rise above 2,000 m (6,600 ft), with Anamudi (2,695 m (8,842 ft)) being the highest peak. The average elevation is around 1,200 m (3,900 ft). (Full article...)

    Anamudi, the highest peak in the Western Ghats

    The Western Ghats, also known as the Sahyadri, is a mountain range that stretches 1,600 km (990 mi) along the western coast of the Indian peninsula. Covering an area of 160,000 km2 (62,000 sq mi), it traverses the states of Gujarat, Maharashtra, Goa, Karnataka, Kerala, and Tamil Nadu. The range forms an almost continuous chain of mountains along the western edge of the Deccan Plateau, from the Tapti River to Swamithoppe in Kanyakumari district at the southern tip of the Indian peninsula. The Western Ghats meet with the Eastern Ghats at Nilgiris before continuing south.

    Geologic evidence indicates that the mountains were formed during the break-up of the supercontinent of Gondwana. The mountains came along the west coast of India somewhere in the late Jurassic and early Cretaceous periods when India separated from the African continent. The mountains can be roughly divided into three parts: the northern section with an elevation ranging from 900–1,500 m (3,000–4,900 ft), the middle section starting from the south of Goa with a lower elevation of less than 900 m (3,000 ft), and the southern section where the altitude rises again. The Western Ghats have several peaks that rise above 2,000 m (6,600 ft), with Anamudi (2,695 m (8,842 ft)) being the highest peak. The average elevation is around 1,200 m (3,900 ft). (Full article...)
  • Image 14 VT-AXH, the aircraft involved in the accident, in 2006. Air India Express Flight 1344 was a scheduled international flight on 7 August 2020 from Dubai, United Arab Emirates, to Kozhikode, India, landing at Calicut International Airport. The flight was part of the Vande Bharat Mission to repatriate Indian nationals stranded due to the COVID-19 pandemic. The flight crew aborted two landing attempts because of heavy rain and tailwind. On the third landing attempt, the aircraft touched down on runway 10, but skidded off the end of the tabletop runway and slid down a 9–10.5 m (30–35 ft) slope, killing 19 passengers and both pilots. The 4 cabin crew members and 165 passengers survived, of whom all but two were injured. This was the second fatal accident involving Air India Express, after the 2010 Mangalore crash. (Full article...)

    VT-AXH, the aircraft involved in the accident, in 2006.

    Air India Express Flight 1344 was a scheduled international flight on 7 August 2020 from Dubai, United Arab Emirates, to Kozhikode, India, landing at Calicut International Airport. The flight was part of the Vande Bharat Mission to repatriate Indian nationals stranded due to the COVID-19 pandemic. The flight crew aborted two landing attempts because of heavy rain and tailwind. On the third landing attempt, the aircraft touched down on runway 10, but skidded off the end of the tabletop runway and slid down a 9–10.5 m (30–35 ft) slope, killing 19 passengers and both pilots. The 4 cabin crew members and 165 passengers survived, of whom all but two were injured. This was the second fatal accident involving Air India Express, after the 2010 Mangalore crash. (Full article...)
  • Image 15 Raghunath Temple complex Raghunath Temple is a Hindu temple located in Jammu in the Indian union territory of Jammu and Kashmir. It consists of a complex of seven Hindu shrines. Raghunath Temple was constructed by the first Dogra ruler Maharaja Gulab Singh in the year 1835 and later his son Maharaja Ranbir Singh got it completed in the year 1860 During Dogra rule. The temple has many gods in its complex of shrines, but the presiding deity is Rama – also known as Raghunath, an Avatar of Vishnu. All the spiral-shaped towers have gold plated spires. The niches in the walls of the shrines are decorated with 300 well-crafted icons of gods and goddesses including those of Surya and Shiva, but most are particularly related to the life stories of Rama and Krishna. The paintings in the 15 panels of the main shrine are based on themes from Ramayana, Mahabharata, and Bhagavad Gita. The temple premises include a school and a library that preserves over 6,000 manuscripts in many Indian languages, with a notable collection of Sarada script Sanskrit manuscripts. (Full article...)

    Raghunath Temple complex

    Raghunath Temple is a Hindu temple located in Jammu in the Indian union territory of Jammu and Kashmir. It consists of a complex of seven Hindu shrines. Raghunath Temple was constructed by the first Dogra ruler Maharaja Gulab Singh in the year 1835 and later his son Maharaja Ranbir Singh got it completed in the year 1860 During Dogra rule. The temple has many gods in its complex of shrines, but the presiding deity is Rama – also known as Raghunath, an Avatar of Vishnu.

    All the spiral-shaped towers have gold plated spires. The niches in the walls of the shrines are decorated with 300 well-crafted icons of gods and goddesses including those of Surya and Shiva, but most are particularly related to the life stories of Rama and Krishna. The paintings in the 15 panels of the main shrine are based on themes from Ramayana, Mahabharata, and Bhagavad Gita. The temple premises include a school and a library that preserves over 6,000 manuscripts in many Indian languages, with a notable collection of Sarada script Sanskrit manuscripts. (Full article...)
  • Image 16 Indian nationality law details the conditions by which a person holds Indian nationality. The two primary pieces of legislation governing these requirements are the Constitution of India and the Citizenship Act, 1955. All persons born in India between 26 January 1950 and 1 July 1987 automatically received citizenship by birth regardless of the nationalities of their parents. Between 1 July 1987 and 3 December 2004, citizenship by birth was granted if at least one parent was a citizen. Individuals born in the country since then receive Indian citizenship at birth only if both parents are Indian citizens, or if one parent is a citizen and the other is not considered an illegal migrant. (Full article...)
    Indian nationality law details the conditions by which a person holds Indian nationality. The two primary pieces of legislation governing these requirements are the Constitution of India and the Citizenship Act, 1955.

    All persons born in India between 26 January 1950 and 1 July 1987 automatically received citizenship by birth regardless of the nationalities of their parents. Between 1 July 1987 and 3 December 2004, citizenship by birth was granted if at least one parent was a citizen. Individuals born in the country since then receive Indian citizenship at birth only if both parents are Indian citizens, or if one parent is a citizen and the other is not considered an illegal migrant. (Full article...)
  • Image 17 Defence of the Arrah House, 1857 (1858) by William Tayler The siege of Arrah (27 July – 3 August 1857) took place during the Indian Mutiny (also known as the Indian Rebellion of 1857). It was the eight-day defence of a fortified outbuilding, occupied by a combination of 18 civilians and 50 members of the Bengal Military Police Battalion, against 2,500 to 3,000 mutinying Bengal Native Infantry sepoys from three regiments and an estimated 8,000 men from irregular forces commanded by Kunwar Singh, the local zamindar or chieftain who controlled the Jagdishpur estate. An attempt to break the siege failed, with around 290 casualties out of around 415 men in the relief party. Shortly afterwards, a second relief effort consisting of 225 men and three artillery guns—carried out despite specific orders that it should not take place—dispersed the forces surrounding the building, suffering two casualties, and the besieged party escaped. Only one member of the besieged group was injured. (Full article...)

    Defence of the Arrah House, 1857 (1858) by William Tayler

    The siege of Arrah (27 July – 3 August 1857) took place during the Indian Mutiny (also known as the Indian Rebellion of 1857). It was the eight-day defence of a fortified outbuilding, occupied by a combination of 18 civilians and 50 members of the Bengal Military Police Battalion, against 2,500 to 3,000 mutinying Bengal Native Infantry sepoys from three regiments and an estimated 8,000 men from irregular forces commanded by Kunwar Singh, the local zamindar or chieftain who controlled the Jagdishpur estate.

    An attempt to break the siege failed, with around 290 casualties out of around 415 men in the relief party. Shortly afterwards, a second relief effort consisting of 225 men and three artillery guns—carried out despite specific orders that it should not take place—dispersed the forces surrounding the building, suffering two casualties, and the besieged party escaped. Only one member of the besieged group was injured. (Full article...)
  • Image 18 Sorghum bicolor, commonly called sorghum (/ˈsɔːrɡəm/) and also known as great millet, broomcorn, guinea corn, durra, imphee, jowar, or milo, is a species in the grass genus Sorghum cultivated for its grain. The grain is used for food for humans; the plant is used for animal feed and ethanol production. Sorghum originated in Africa, and is now cultivated widely in tropical and subtropical regions. Sorghum is the world's fifth-most important cereal crop after rice, wheat, maize, and barley. Sorghum is typically an annual, but some cultivars are perennial. It grows in clumps that may reach over 4 metres (13 ft) high. The grain is small, 2 to 4 millimetres (0.08 to 0.2 in) in diameter. Sweet sorghums are cultivars primarily grown for forage, syrup production, and ethanol; they are taller than those grown for grain. (Full article...)

    Sorghum bicolor, commonly called sorghum (/ˈsɔːrɡəm/) and also known as great millet, broomcorn, guinea corn, durra, imphee, jowar, or milo, is a species in the grass genus Sorghum cultivated for its grain. The grain is used for food for humans; the plant is used for animal feed and ethanol production. Sorghum originated in Africa, and is now cultivated widely in tropical and subtropical regions.

    Sorghum is the world's fifth-most important cereal crop after rice, wheat, maize, and barley. Sorghum is typically an annual, but some cultivars are perennial. It grows in clumps that may reach over 4 metres (13 ft) high. The grain is small, 2 to 4 millimetres (0.08 to 0.2 in) in diameter. Sweet sorghums are cultivars primarily grown for forage, syrup production, and ethanol; they are taller than those grown for grain. (Full article...)
  • Image 19 Ganesha with consorts Riddhi (prosperity) and Siddhi (spiritual power), Painting titled "Riddhi Siddhi" by Raja Ravi Varma (1848–1906) The marital status of Ganesha varies widely in mythological stories and the issue has been the subject of considerable scholarly review. Several patterns of associations with different consorts are identifiable. One pattern of myths identifies Ganesha as an unmarried brahmacārin with no consorts. Another mainstream pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified as goddesses who are considered to be Ganesha's wives. Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati. In the Bengal region he is linked with the banana tree, Kala Bo (or Kola Bou). Usually Ganesha's consort is portrayed as his shakti, a personification of his creative energy. Some of the differences between these patterns can be understood by looking at regional variations across India, the time periods in which the patterns are found, and the traditions in which the beliefs are held. Some differences pertain to the preferred meditation form used by the devotee, with many different traditional forms ranging from Ganesha as a young boy (Sanskrit: बाल गणपति; bālagāņapati) to Ganesha as a Tantric deity. (Full article...)
    Ganesha with consorts Riddhi (prosperity) and Siddhi (spiritual power), Painting titled "Riddhi Siddhi" by Raja Ravi Varma (1848–1906)

    The marital status of Ganesha varies widely in mythological stories and the issue has been the subject of considerable scholarly review. Several patterns of associations with different consorts are identifiable. One pattern of myths identifies Ganesha as an unmarried brahmacārin with no consorts. Another mainstream pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified as goddesses who are considered to be Ganesha's wives. Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati. In the Bengal region he is linked with the banana tree, Kala Bo (or Kola Bou). Usually Ganesha's consort is portrayed as his shakti, a personification of his creative energy.

    Some of the differences between these patterns can be understood by looking at regional variations across India, the time periods in which the patterns are found, and the traditions in which the beliefs are held. Some differences pertain to the preferred meditation form used by the devotee, with many different traditional forms ranging from Ganesha as a young boy (Sanskrit: बाल गणपति; bālagāņapati) to Ganesha as a Tantric deity. (Full article...)
  • Image 20 Raja Ravi Varma's lithograph on Mandodari Mandodari (Sanskrit: मंदोदरी, Mandodarī, lit. "soft-bellied";) was the queen consort of Ravana, the king of Lanka, according to the Hindu epic Ramayana. The Ramayana describes her as beautiful, pious, and righteous. She is extolled as one of the Panchakanya, the recital of whose names is believed to dispel sin. Mandodari was the daughter of Mayasura, the King of the Asuras (demons), and the apsara (celestial nymphs) Hema. She marries Ravana and bears three sons: Meghanada (Indrajit), Atikaya and Akshayakumara. According to some Ramayana adaptations, Mandodari is also the mother of Rama's wife Sita, who is infamously kidnapped by Ravana. Despite her husband's faults, Mandodari loves him and advises him to follow the path of righteousness. She repeatedly advises Ravana to return Sita to Rama, but her advice falls on deaf ears. Her love and loyalty to Ravana are praised in the Ramayana. (Full article...)

    Raja Ravi Varma's lithograph on Mandodari

    Mandodari (Sanskrit: मंदोदरी, Mandodarī, lit. "soft-bellied";) was the queen consort of Ravana, the king of Lanka, according to the Hindu epic Ramayana. The Ramayana describes her as beautiful, pious, and righteous. She is extolled as one of the Panchakanya, the recital of whose names is believed to dispel sin.

    Mandodari was the daughter of Mayasura, the King of the Asuras (demons), and the apsara (celestial nymphs) Hema. She marries Ravana and bears three sons: Meghanada (Indrajit), Atikaya and Akshayakumara. According to some Ramayana adaptations, Mandodari is also the mother of Rama's wife Sita, who is infamously kidnapped by Ravana. Despite her husband's faults, Mandodari loves him and advises him to follow the path of righteousness. She repeatedly advises Ravana to return Sita to Rama, but her advice falls on deaf ears. Her love and loyalty to Ravana are praised in the Ramayana. (Full article...)
  • Image 21 Lieutenant Colonel Ardeshir Burzorji Tarapore, PVC (18 August 1923 – 16 September 1965), was an Indian military officer and posthumous recipient of India's highest military award, the Param Vir Chakra. After completing his schooling in Pune, Tarapore joined the Hyderabad Army, and was commissioned in January 1942. Initially he joined the infantry, but was later transferred to an armoured regiment, the 1st Hyderabad Imperial Service Lancers. During World War II, Tarapore saw action in the Middle Eastern theatre of the war. After Hyderabad State was annexed by India in 1948, Tarapore was selected to join the Indian Army. He was commissioned again in April 1951, and was posted to the Poona Horse regiment, 17th Battalion. Later he attended a training course in the United Kingdom on the Centurion tank. During the Indo-Pakistani War of 1965, 17 Horse saw action in the Sialkot sector. Tarapore led the regiment in several tank battles between 11 and 16 September, and was killed in one such battle at Butur-Dograndi on 16 September. Under his leadership the regiment destroyed sixty Pakistani tanks, while the Indians suffered the loss of nine. (Full article...)
    Lieutenant Colonel Ardeshir Burzorji Tarapore, PVC (18 August 1923 – 16 September 1965), was an Indian military officer and posthumous recipient of India's highest military award, the Param Vir Chakra. After completing his schooling in Pune, Tarapore joined the Hyderabad Army, and was commissioned in January 1942. Initially he joined the infantry, but was later transferred to an armoured regiment, the 1st Hyderabad Imperial Service Lancers. During World War II, Tarapore saw action in the Middle Eastern theatre of the war.

    After Hyderabad State was annexed by India in 1948, Tarapore was selected to join the Indian Army. He was commissioned again in April 1951, and was posted to the Poona Horse regiment, 17th Battalion. Later he attended a training course in the United Kingdom on the Centurion tank. During the Indo-Pakistani War of 1965, 17 Horse saw action in the Sialkot sector. Tarapore led the regiment in several tank battles between 11 and 16 September, and was killed in one such battle at Butur-Dograndi on 16 September. Under his leadership the regiment destroyed sixty Pakistani tanks, while the Indians suffered the loss of nine. (Full article...)
  • Image 22 Thiruvilaiyadal (transl. The Divine Game) is a 1965 Indian Tamil-language Hindu mythological film written, directed and co-produced by A. P. Nagarajan. The film stars Sivaji Ganesan, Savitri, and K. B. Sundarambal, with T. S. Balaiah, R. Muthuraman, Nagesh, T. R. Mahalingam, K. Sarangapani, Devika, Manorama, and Nagarajan in supporting roles. K. V. Mahadevan composed the film's soundtrack and score, and Kannadasan and Sankaradas Swamigal wrote the song lyrics. Thiruvilaiyadal was inspired by the Thiruvilaiyadal Puranam: a collection of sixty-four Shaivite devotional, epic stories, written in the 16th century by Paranjothi Munivar, which record the actions (and antics) of Shiva on Earth in a number of disguises to test his devotees. Thiruvilaiyadal depicts four of the stories. The first is about the poets Dharumi and Nakkeerar; the second concerns Dhakshayani. The third recounts how Shiva's future wife, Parvati, is born as a fisherwoman; Shiva, in the guise of a fisherman, finds her and marries her. The fourth story is about the singers Banabhathirar and Hemanatha Bhagavathar. (Full article...)
    Thiruvilaiyadal (transl. The Divine Game) is a 1965 Indian Tamil-language Hindu mythological film written, directed and co-produced by A. P. Nagarajan. The film stars Sivaji Ganesan, Savitri, and K. B. Sundarambal, with T. S. Balaiah, R. Muthuraman, Nagesh, T. R. Mahalingam, K. Sarangapani, Devika, Manorama, and Nagarajan in supporting roles. K. V. Mahadevan composed the film's soundtrack and score, and Kannadasan and Sankaradas Swamigal wrote the song lyrics.

    Thiruvilaiyadal was inspired by the Thiruvilaiyadal Puranam: a collection of sixty-four Shaivite devotional, epic stories, written in the 16th century by Paranjothi Munivar, which record the actions (and antics) of Shiva on Earth in a number of disguises to test his devotees. Thiruvilaiyadal depicts four of the stories. The first is about the poets Dharumi and Nakkeerar; the second concerns Dhakshayani. The third recounts how Shiva's future wife, Parvati, is born as a fisherwoman; Shiva, in the guise of a fisherman, finds her and marries her. The fourth story is about the singers Banabhathirar and Hemanatha Bhagavathar. (Full article...)
  • Image 23 Bhakta Prahlada (transl. Prahlada, the Devotee) is a 1967 Indian Telugu-language Hindu mythological film directed by Chitrapu Narayana Rao based on a script by D. V. Narasa Raju. It stars S. V. Ranga Rao and Anjali Devi. Roja Ramani, in her film debut, plays the title character. Bhakta Prahlada is produced on the AVM Productions banner by A. V. Meiyappan and his sons, M. Murugan, M. Kumaran and M. Saravanan. The film is based on the legend of Prahlada, a character in Bhagavata Purana known for his devotion to the Hindu god Vishnu. Bhakta Prahlada is the third Telugu film based on Prahlada, after the 1932 and 1942 films of the same name. Unlike the earlier two, which were filmed in black-and-white, this version was shot in Eastman Color Negative film. Its script was completed by May 1965. Since Bhakta Prahlada and Ave Kallu were simultaneously produced by AVM Productions, principal photography and post-production were delayed and lasted for one-and-a-half years. (Full article...)
    Bhakta Prahlada (transl. Prahlada, the Devotee) is a 1967 Indian Telugu-language Hindu mythological film directed by Chitrapu Narayana Rao based on a script by D. V. Narasa Raju. It stars S. V. Ranga Rao and Anjali Devi. Roja Ramani, in her film debut, plays the title character. Bhakta Prahlada is produced on the AVM Productions banner by A. V. Meiyappan and his sons, M. Murugan, M. Kumaran and M. Saravanan. The film is based on the legend of Prahlada, a character in Bhagavata Purana known for his devotion to the Hindu god Vishnu.

    Bhakta Prahlada is the third Telugu film based on Prahlada, after the 1932 and 1942 films of the same name. Unlike the earlier two, which were filmed in black-and-white, this version was shot in Eastman Color Negative film. Its script was completed by May 1965. Since Bhakta Prahlada and Ave Kallu were simultaneously produced by AVM Productions, principal photography and post-production were delayed and lasted for one-and-a-half years. (Full article...)
  • Image 24 Siva (also spelt Shiva) is a 1989 Indian Telugu-language crime action film directed by Ram Gopal Varma and produced by Akkineni Venkat and Yarlagadda Surendra under Annapurna Studios and SS Creations. The film, which marks the directorial debut of Ram Gopal Varma, explores the concepts of student exploitation by anti-social elements and the impact of crowd psychology. Varma's script was based on his experiences as a student at Siddhartha Engineering College in Vijayawada. Tanikella Bharani wrote the dialogues. Ilaiyaraaja composed the soundtrack and score, while S. Gopala Reddy was its cinematographer. Thota Tharani and Sattibabu were the art director and editor respectively. The principal photography began on 16 February 1989, and was completed in 55 working days. Except for three days of shooting in Madras (now Chennai), Siva was filmed in Andhra Pradesh. (Full article...)
    Siva (also spelt Shiva) is a 1989 Indian Telugu-language crime action film directed by Ram Gopal Varma and produced by Akkineni Venkat and Yarlagadda Surendra under Annapurna Studios and SS Creations. The film, which marks the directorial debut of Ram Gopal Varma, explores the concepts of student exploitation by anti-social elements and the impact of crowd psychology.

    Varma's script was based on his experiences as a student at Siddhartha Engineering College in Vijayawada. Tanikella Bharani wrote the dialogues. Ilaiyaraaja composed the soundtrack and score, while S. Gopala Reddy was its cinematographer. Thota Tharani and Sattibabu were the art director and editor respectively. The principal photography began on 16 February 1989, and was completed in 55 working days. Except for three days of shooting in Madras (now Chennai), Siva was filmed in Andhra Pradesh. (Full article...)
  • Image 25 Kartik bowling for Somerset in 2010. Murali Kartik (pronunciation, born 11 September 1976) is a Cricket commentator and former Indian cricketer who sporadically represented the national team from 2000 to 2007. He was a slow left-arm orthodox bowler. He was not selected for international matches during his prime years due to the presence of Anil Kumble and Harbhajan Singh in the Indian squad. A left-handed batsman who had some success with the bat at first-class level with 21 half-centuries, Murli was not able to repeat such performances at international level. After starting out in the Delhi junior system, Murali moved through the age group ranks at Railways and was selected for the Indian Under-19 team. He made his first-class debut in 1996–97 and after a few productive seasons at the domestic level, made his Test debut in early 2000 as Kumble's bowling partner. However, he ran into disciplinary problems and was expelled from the National Cricket Academy in the same year. At the same time, new national captain Sourav Ganguly was reluctant to entrust him with responsibility. Ganguly called for off-spinner Harbhajan Singh to be recalled in 2001 and was rewarded with a series-winning performance against Australia. This entrenched the off-spinner in the team and left Kartik on the outer. (Full article...)

    Kartik bowling for Somerset in 2010.

    Murali Kartik (pronunciation, born 11 September 1976) is a Cricket commentator and former Indian cricketer who sporadically represented the national team from 2000 to 2007. He was a slow left-arm orthodox bowler. He was not selected for international matches during his prime years due to the presence of Anil Kumble and Harbhajan Singh in the Indian squad. A left-handed batsman who had some success with the bat at first-class level with 21 half-centuries, Murli was not able to repeat such performances at international level.

    After starting out in the Delhi junior system, Murali moved through the age group ranks at Railways and was selected for the Indian Under-19 team. He made his first-class debut in 1996–97 and after a few productive seasons at the domestic level, made his Test debut in early 2000 as Kumble's bowling partner. However, he ran into disciplinary problems and was expelled from the National Cricket Academy in the same year. At the same time, new national captain Sourav Ganguly was reluctant to entrust him with responsibility. Ganguly called for off-spinner Harbhajan Singh to be recalled in 2001 and was rewarded with a series-winning performance against Australia. This entrenched the off-spinner in the team and left Kartik on the outer. (Full article...)
More good articles

News

4 November 2024 – 2024 Almora bus accident
At least 36 people are killed and 27 others are injured when a bus plunges into a gorge near Marchula, Uttarakhand, India. (The Indian Express) (ABC News)
3 November 2024 – Insurgency in Jammu and Kashmir
At least eleven people are injured in a grenade explosion caused by an unknown militant group in a flea market in Srinagar, Jammu and Kashmir, India. (Reuters)
Three rebels are killed and four security personnel are injured during two separate shootouts in Anantnag district, Jammu and Kashmir, India. (AP)
3 November 2024 – Naxalite–Maoist insurgency
Two police officers are injured in a stabbing attack by Naxalite insurgents in Sukma, Chhattisgarh, India, with their weapons being stolen. (Indian Express)
24 October 2024 – Insurgency in Jammu and Kashmir
Islamist insurgents target an Indian Army vehicle with small arms fire near Gulmarg, Jammu and Kashmir, India, killing two soldiers and two civilian porters and injuring three other soldiers. (The Indian Express)

Did you know...

Timeline of Indian history, Indus Valley Civilisation, Dholavira, Science and technology in ancient India, Meluhha, Aryan invasion theory, Out of India theory, Greek conquests in India, Indian maritime history, Maurya Empire, Ashoka, Shunga Empire, Hoysala Empire, Vijayanagara, Satavahana dynasty, Indo-Greek Kingdom, Indo-Scythians, Indo-Parthian Kingdom, Kushan Empire, Western Satraps, Gupta Empire, Chola dynasty, Pala Empire, Islamic incursions in India, Mughal Empire, Maratha Empire, British Raj, East India Company, Governor-General, Viceroy, War of Independence, 1857, Indian independence movement, Indian National Army, Azad Hind, Quit India Movement, Partition of India, History of Republic of India, Non-Aligned Movement, Sino-Indian War, Indo-Pakistani War of 1947–1948, Indo-Pakistani War of 1965, Indo-Pakistani War of 1971, Kargil War, 2001–02 India–Pakistan standoff, Military, Demographic

Law, Hindu law, Constitution, Political parties (Indian National Congress, Bharatiya Janata Party), Foreign relations, Elections, Political divisions, Reservation in India

Government agencies, Legislative branch (Lok Sabha, Rajya Sabha) Executive branch (President & Vice President, Prime Minister & Deputy Prime Minister, Cabinet Ministers, Cabinet Secretary, Election Commission, Foreign Minister; Law enforcement: CBI, CID, Intelligence: IB, RAW), Directorate General of Income Tax Investigation Judicial branch (Supreme Court), Armed Forces (Army, Navy, Air Force, Border Security Force, Coast Guard)

Himalayas, Western Ghats, Eastern Ghats, Indo-Gangetic Plain, Deccan Plateau, Thar Desert, Ganges, Rann of Kutch, Brahmaputra River, Northeast India; Mountains, Valleys, Islands, Rivers; States and union territories, Cities, Districts, Regions, Fauna, Flora

Rupee, Bombay Stock Exchange, National Stock Exchange, Standard of living, Companies, Reserve Bank of India, Energy policy (Solar, Wind, Nuclear), Tourism, Transport (Expressways, Rail transport, Auto rickshaw),

Languages, Standard of living, Religion

Music (Carnatic, Hindustani, Indi-pop), Dance, Languages, Literature, Architecture, Film & TV, Cuisine, Holidays, Folklore, Education, Media, Indian martial arts

Indian Council of Agricultural Research (ICAR), Indian Institute of Astrophysics, National Centre for Software Technology, AIIMS, IISc, IIT, NIT, BITS-Pilani, INRegistry, Indian numbering system, Indian Space Research Organisation, National Internet Exchange of India, ICRISAT, International Institute of Information Technology, Hyderabad

Other

Indian English, Indian nationality law, Numbering system, Indian Space Research Organisation, Telecommunications, National Highways Development Project, Flag, Vehicle registration plates, Indian nationalism, Metrication in India

Outline of Indian topics ...

Categories

Category puzzle
Category puzzle
Select [►] to view subcategories
India
India-related lists
Buildings and structures in India
Culture of India
Economy of India
Education in India
Environment of India
Geography of India
Government of India
Health in India
History of India
Organisations based in India
Indian people
Politics of India
Society of India
Images of India
India stubs

Religions in India

Indian Subcontinent

Other countries

Wikipedias in Indian languages

Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

Discover Wikipedia using portals
Retrieved from "https://en.wikipedia.org/w/index.php?title=Portal:India&oldid=1246080393"