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Superchunk

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Superchunk
Superchunk in 2019
Superchunk in 2019
Background information
OriginChapel Hill, North Carolina, U.S.
GenresIndie rock, alternative rock, punk rock
Years active1989–present
LabelsMatador, Merge
Members
Past members
Websitesuperchunk.com

Superchunk is an American indie rock band from Chapel Hill, North Carolina, consisting of singer-guitarist Mac McCaughan, guitarist Jim Wilbur, bassist Laura Ballance, and drummer Laura King. Formed in 1989, they were one of the bands that helped define the Chapel Hill music scene of the 1990s.[1] Their energetic, high-velocity style and do-it-yourself ethic is influenced by punk rock.

Members McCaughan and Ballance founded the successful independent record label Merge Records in 1989 as a way to release music from Superchunk and music created by friends, which has expanded to include artists from around the world and records reaching the top of the Billboard music charts. Superchunk released a string of full-length albums and compilations throughout the 1990s. After releasing their eighth studio album in 2001, the band went into a period of reduced activity. In 2010, the band released a new studio album, Majesty Shredding, and followed it up in 2013 with their tenth studio album, I Hate Music. Their eleventh studio album, What a Time to Be Alive, was released on February 16, 2018.[2] Their twelfth album, Wild Loneliness, was released in February 2022.[3]

History

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Superchunk was formed in 1989 in the town of Chapel Hill, North Carolina, by Mac McCaughan (guitar and vocals), Laura Ballance (bass and backing vocals),[4] Chuck Garrison (drums), and Jack McCook (guitar). Initially, the band went by the name Chunk (original drummer Chuck Garrison's name was misspelled as "Chunk" Garrison in the phone book, and the moniker stuck), and they released their first single as Chunk.[5] After adding the "Super" prefix to their name to avoid confusion with a similarly named jazz band from New York,[6] the first official Superchunk single, "Slack Motherfucker", followed in 1989 on Merge Records, founded by McCaughan and Ballance. Both releases were well received,[clarification needed] and Superchunk released its debut eponymous album in 1990 on Matador Records to more critical acclaim.[citation needed]

McCook decided to leave the group after the release of the first album, Superchunk, and Connecticut-born James Wilbur was recruited to take over guitar duties. In spite of the ensuing bidding war that emerged between major record labels in the aftermath of the album's release, Superchunk decided to stay independent, sticking with Matador Records for their second, just as critically lauded[citation needed] LP, No Pocky for Kitty, which was recorded in Chicago by Steve Albini in 1991. Garrison left the band a few weeks before the record's release, and Jon Wurster was brought on board on drums.

The band put out one more record for Matador, On the Mouth in 1993. After Matador entered into a distribution agreement with major label Atlantic Records, Superchunk decided to leave the label, even though the Atlantic logo did not have to be displayed on their releases. Instead, the band opted to release their following records through Merge. The next album, Foolish, brought further critical acclaim for the band in 1994.[citation needed] A second singles compilation (the first was 1992's Tossing Seeds) came out in the summer of 1995. It was titled Incidental Music 1991–95 and contained most of their hard-to-find tracks (imports, B-sides, comp. tracks) released between 1991 and 1995.

Boston was the setting for Superchunk's next album session. 1995's Here's Where the Strings Come In was recorded at the city's Fort Apache Studios and slated for a fall release. The band toured hard for Strings all over the world as well as appearing on the Lollapalooza tour, scoring a minor hit with the "Hyper Enough" single and video.

After a brief hiatus and another Australian tour, the band released a limited-edition EP called The Laughter Guns. They then started writing for what would become Indoor Living. Recording started in Bloomington, Indiana's Echo Park Studios with Chapel Hillian John Plymale co-producing with the band. Superchunk stretched out a bit on Indoor Living, expanding their sound by adding some new instruments to the mix: piano, organ, vibes and more. The album was by far their most adventurous and at the same time their most accessible to date.[7]

Superchunk delivered Come Pick Me Up, their seventh full-length studio release, in 1999, recording in Chicago at Electrical Audio with producer Jim O'Rourke. Superchunk continued the expansion and growth of their sound that started with Foolish, pushing themselves to new heights of creativity.[citation needed]

Superchunk touring in Tokyo, Japan, October 2, 2001; Photo: Masao Nakagami

In 2001, the band released Here's to Shutting Up. In 2002, Superchunk began a series of limited-edition live albums known as The Clambakes series. Clambakes Volume 1 (limited to 1500 copies) is an acoustic live set recorded in various record stores across the US in support of Here's to Shutting Up and Clambakes Volume 2 (limited to 2500 copies) is a film score Superchunk was commissioned to write. It was recorded live at the Castro Theater in San Francisco on April 23, 2002, during the San Francisco International Film Festival at a showing of the 1926 Teinosuke Kinugasa film A Page of Madness.

Cup of Sand, released in 2003, is the third singles album compiling all singles and rare 1995–2002 tracks.

Clambakes Series Volume 3 was released in 2004, documenting the live set Superchunk played at the Cat's Cradle in Carrboro, North Carolina, on July 23, 1999, for the Merge Records tenth anniversary celebration.

In 2006, Superchunk headlined a concert held in celebration of the tenth anniversary of The Daily Show, a Comedy Central program, at Irving Plaza in New York. The show also featured a performance from Clem Snide as well as short stand-up comedy sets from various Daily Show correspondents.

In 2007, Superchunk contributed a hidden track to the Aqua Teen Hunger Force soundtrack, "Misfits and Mistakes", with singing from Aqua Teen Hunger Force character Meatwad. On June 5, 2007, Superchunk released the Misfits and Mistakes 7-inch, which has the Superchunk solo version on the A-side, and the Meatwad version on the B-side.

The band played two shows, the Eff Cancer Benefit in Chicago on June 20, 2007, and headlined the inaugural free Pool Parties show at McCarren Park Pool in Brooklyn, New York. They are also known to still play occasional one-off shows at home in North Carolina, usually at Cat's Cradle in Carrboro.[citation needed]

Superchunk also recorded a cover version of "Say My Name" by Destiny's Child for Engine Room Recordings' compilation album Guilt by Association, which was set to be released in September 2007.[needs update]

Superchunk appeared at Coachella Valley Music and Arts Festival in Indio, California, on April 18, 2009, along with other acts like Yeah Yeah Yeahs, The Killers, M.I.A., TV on the Radio, Band of Horses.

On April 7, 2009, Superchunk released the Leaves in the Gutter EP, their first CD release in seven years. It consisted of three unreleased tracks, in addition to "Misfits and Mistakes" and an acoustic version of the new song "Learned to Surf".

On May 28, 2009, the band announced a new 7-inch, "Crossed Wires" b/w "Blinders (Fast Vers.)", which released on July 7, 2009. It was initially limited to a pressing of 1000 on clear vinyl.

On July 27, 2010, the band covered The Cure's In Between Days for AV Club Undercover.[8]

The band's ninth studio album, Majesty Shredding, was released on September 14, 2010.[9] The band was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival he curated in December 2011 in Minehead, Somerset.[10]

The band's tenth studio album, I Hate Music, was released on August 20, 2013. Before the release, Ballance announced on the band's website that she would not be taking part in the upcoming tour to promote the album, citing a worsening hearing condition known as hyperacusis. Her live replacement is Jason Narducy, formerly of Verbow and currently bass player with Bob Mould's band. The band performed in North America, Australia and the UK as part of the tour.[needs update]

In November 2013, the band played the final holiday camp edition of the All Tomorrow's Parties festival in Camber Sands, England.[11][needs update]

On February 27, 2016, Superchunk re-united with original drummer Chuck Garrison for a performance of "Slack Motherfucker" at the end of a Scharpling & Wurster live show in Durham, North Carolina. Jon Wurster performed some of the vocals in character as Philly Boy Roy.[12]

In November 2017, the band announced that their 11th studio album What a Time to Be Alive will be released in February 2018.[2]

On May 31, 2019, as part of Merge Records' "special 30th anniversary releases", Superchunk released an acoustic version of their 1994 album Foolish, titled Acoustic Foolish.[13]

On February 10, 2023, Jon Wurster announced his exit from the band.[14] The band released the compilation album Misfits & Mistakes: Singles, B-Sides & Strays 2007–2023 in October 2023.

Musical style, influences, and legacy

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Superchunk's music has been described as punk rock[15] and indie rock.[16][17] Superchunk's early influences included Buzzcocks,[18][19] Sonic Youth, Dinosaur Jr.,[18] and Hüsker Dü.[19] The band would eventually incorporate elements from such bands as Rocket from the Crypt, Drive Like Jehu, and Polvo.[20]

Superchunk has had a significant impact on alternative music, being cited as an influence by Motion City Soundtrack,[21] the Get Up Kids,[22][23] Jawbreaker,[24] the Jazz June,[25] Lemuria,[26] and the Van Pelt.[27]

Discography

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Main article: Superchunk discography

Side projects

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Mac McCaughan has recorded several albums as Portastatic. Initially a solo project, Portastatic has evolved into a full band, which currently includes Superchunk's Jim Wilbur as a member.

Jim Wilbur, a graduate of Fairfield University, in Fairfield, Connecticut, has recorded a number of singles and an album as Humidifier. The album Nothing Changes was released on Link Records in 1996. Humidifier also includes John King from another Merge Records band, Spent.

In addition to his work on The Best Show with Tom Scharpling, Jon Wurster joined the group the Mountain Goats in 2007, playing drums on the last leg of the Get Lonely tour. Wurster also began performing and recording on drums with Bob Mould in 2008.[28] He remained a member of Superchunk until 2023.

References

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  1. ^ "A Look At The Indie Rock Music Scene In Chapel Hill | NC Arts Council". www.ncarts.org. July 22, 2019. Retrieved July 24, 2023.
  2. ^ a b "Superchunk - What a Time to be Alive". Archived from the original on November 9, 2017. Retrieved November 8, 2017.
  3. ^ "Wild Loneliness". Archived from the original on December 7, 2021. Retrieved December 15, 2021.
  4. ^ "Merge Records - Artists, News, Music - Shop Vinyl, Merch, Music and More".
  5. ^ Michael Roberts (April 19, 1995). "CHUNKY STYLE". Denver Westword. Retrieved December 27, 2014.
  6. ^ "Press". Superchunk. February 12, 1991. Archived from the original on September 12, 2012. Retrieved February 19, 2012.
  7. ^ "Merge Records Superchunk". Mergerecords.com. October 16, 2003. Archived from the original on April 27, 2006. Retrieved February 19, 2012.
  8. ^ "Superchunk covers The Cure". The A.V. Club. February 13, 2012. Archived from the original on July 29, 2010. Retrieved February 19, 2012.
  9. ^ "Superchunk Announce Majesty Shredding Album" Archived May 7, 2010, at the Wayback Machine. Exclaim!, June 3, 2010.
  10. ^ "ATP curated by Jeff Mangum". Atpfestival.com. Retrieved February 19, 2012.
  11. ^ "All Tomorrow's Parties". Atpfestival.com. Retrieved December 27, 2014.
  12. ^ Hudnall, David (February 29, 2016). "Indy Week". Indyweek.com. Retrieved February 29, 2016.
  13. ^ "Acoustic Foolish". Mergerecords.com. Retrieved August 5, 2019.
  14. ^ "Jon Wurster on Instagram". Instagram. Retrieved February 10, 2023. Didn't realize the #rocknrollweirdness of this announcement landing on the 30th anniversary of the release of Superchunk's "On The Mouth" until a few moments ago, but here goes: Friends, After much soul-searching I have decided to fade back from my role as Director of Percussive Research at Superchunk Industries. It's been a very productive thirty-one years but my heart just isn't in it anymore. I will most likely don The Shirt™ on special occasions, but unless otherwise noted, my office will be occupied by a more than capable, to-be-named DoPR. The immensely talented @lkbroiler will be behind the kit one week from tonight at the Carolina Hurricanes Fan Fest in Raleigh, NC. I wish nothing but the best for Mac, Jim and Jason as they continue producing the high quality, live rock music you have come to know and love. It has been an honor serving you and I'll rock your faces somewhere down the line. Jon Wurster 2/10/23
  15. ^ Krovatin, Chris (November 28, 2018). "The United States Of Punk: The best band from every state in America". Kerrang!. Archived from the original on October 2, 2024. Retrieved December 1, 2024.
  16. ^ Grow, Kory (February 15, 2018). "Review: Superchunk, Purple-State Punks, Take It to Trump on Their Best Album in Years". Rolling Stone. Archived from the original on February 12, 2024. Retrieved December 1, 2024.
  17. ^ Howe, Brian (August 21, 2013). "Superchunk Bassist and Merge Co-founder Laura Ballance Bows Out of Touring, Not Out of the Music That Empowered her". Indy Week. Archived from the original on December 5, 2023. Retrieved December 1, 2024.
  18. ^ a b Davidson, Sandra (July 23, 2019). "50 For 50: Mac McCaughan And Laura Ballance". North Carolina Arts Council. Archived from the original on September 14, 2024. Retrieved December 1, 2024. I mean I think that Superchunk – just like the label – reflected stuff that we were into. [It] sounded like bands we liked. I feel like Superchunk has never been the most original band musically because we sounded like a lot of the records that we listened to. The Buzzcocks cover was one of the first songs we learned when we first started playing in bands together. Dinosaur Jr. Sonic Youth. I feel like our first record sounds like that.
  19. ^ a b Panetta, Giovanni (January 20, 2022). "Mac McCaughan, Superchunk, New Springtime Sounds: "The bands that clearly influenced our early records – Buzzcocks, Hüsker Dü, etc – were also bands that were known for catchy, great pop songs with loud guitars"". iye zine. Archived from the original on May 8, 2023. Retrieved May 7, 2023.
  20. ^ Deller, Alex (November 14, 2023). ""We didn't emulate Mudhoney's behaviour because we might not be alive if we had!" Superchunk look back on the decade that helped birth and destroy US alt rock". Louder Sound. Archived from the original on December 8, 2023. Retrieved June 9, 2024. In our minds we were incorporating and absorbing things from bands we were touring with like Rocket From The Crypt, Drive Like Jehu and Polvo, but, when you listen to it, it just sounds like a Superchunk record.
  21. ^ "Motion City Soundtrack: 'We Are Evolving'". Ultimate Guitar. July 13, 2006. Archived from the original on September 19, 2021. Retrieved June 23, 2024.
  22. ^ Crowther IV, Rob (July 24, 2019). "Matt Pryor of The Get Up Kids on 'Problems,' Growing Up Musically & Asbury Park". The Pop Break. Archived from the original on May 21, 2023. Retrieved June 8, 2024.
  23. ^ Pensky, Nathan (May 23, 2011). "Making Peace with an Emo Past: An Interview With The Get Up Kids". PopMatters. Archived from the original on December 24, 2023. Retrieved June 8, 2024. We never really felt like we belonged to a genre. It seems like people put us into a genre. We wanted to play indie rock. We wanted to be Superchunk.
  24. ^ "5 Records with Jawbreaker's Blake Schwarzenbach". discogs.com. 2024. Archived from the original on February 16, 2024. Retrieved June 2, 2024. Sonically and structurally, we were really into Superchunk.
  25. ^ "When The Drums Kick In…Again; an interview with Andrew and Bryan of The Jazz June". Ghettoblaster. September 16, 2023. Archived from the original on November 29, 2022. Retrieved December 1, 2024. When I listen to the old Jazz June songs now I can hear elements from bands like Jawbox, Archers of Loaf and Superchunk that were direct influences on us.
  26. ^ O'Connor, Brendan (April 16, 2015). "Alex Kerns of Lemuria". buffablog.com. Archived from the original on February 7, 2023. Retrieved June 8, 2024.
  27. ^ "The Van Pelt on X". X.com. February 16, 2018. Retrieved September 22, 2023.
  28. ^ "Drummer Jon Wurster Remembers Grant Hart: 'The Center of the Sonic Hurricane'". Rolling Stone. September 15, 2017.
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